Type | comercial |
---|---|
Title | 13Rue LA CASERA 10" - Snack |
Agency | Grey |
Producer | Películas Pendelton |
Post-productora | Molinare |
3D | Molinare |
Breakdown
: |
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Type | comercial |
---|---|
Title | 13Rue LA CASERA 20" - Snack |
Agency | Grey |
Producer | Películas Pendelton |
Post-productora | Molinare |
3D | Molinare |
Type | tv |
---|---|
Title | We like the Song of the Summer |
Producer | El Terrat |
Post-productora | El Exilio |
3D | El Exilio |
Type | comercial |
---|---|
Title | |
Agency | Contrapunto BBDO |
Producer | Attic Films |
Post-productora | Serena Digital |
3D | Serena Digital |
Type | comercial |
---|---|
Title | |
Agency | Contrapunto BBDO |
Producer | Attic Films |
Post-productora | Serena Digital |
3D | Serena Digital |
Type | comercial |
---|---|
Title | 13Rue LA CASERA 10" - Snails |
Agency | Grey |
Producer | Películas Pendelton |
Post-productora | Molinare |
3D | Molinare |
Type | comercial |
---|---|
Title | |
Agency | Grey |
Producer | Películas Pendelton |
Post-productora | Free Your Mind |
3D | El Replicante Jondo |
Breakdown
: |
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Type | comercial |
---|---|
Title | |
Agency | Grey |
Producer | Películas Pendelton |
Post-productora | Free Your Mind |
3D | El Replicante Jondo |
Breakdown
: |
---|
Type | comercial |
---|---|
Title | |
Agency | --- |
Producer | --- |
Post-productora | Serena Digital |
3D | Serena Digital / La Bombilla FX |
Type | pelicula |
---|---|
Title | The Last Circus - FX DEMO |
Producer | --- |
Post-productora | Molinare |
3D | Molinare |
Type | comercial |
---|---|
Title | Banesto "As should be a bank" |
Agency | Lola |
Producer | Garlic |
Post-productora | Serena Digital |
3D | Serena Digital |
Breakdown
131 : 212 | Matchmoving |
---|---|
432 : 486 | Matchmoving |
502 : 569 | Modelado y Texturizado del neon máquina recreativa. |
Type | comercial |
---|---|
Title | Campofrio Astronauts |
Agency | McCann Erickson |
Producer | La Joya |
Post-productora | Imasblue |
3D | Imasblue |
Type | comercial |
---|---|
Title | Endesa "ON" |
Agency | --- |
Producer | --- |
Post-productora | Molinare |
3D | La Bombilla FX |
Type | comercial |
---|---|
Title | F1 Renault |
Agency | --- |
Producer | --- |
Post-productora | El Ranchito |
3D | El Ranchito |
Breakdown
00 : 01 | test de breakdown |
---|---|
06 : 29 | test de breakdown |
07 : 03 | test de breakdown |
Type | comercial |
---|---|
Title | |
Agency | Campo Saatchi & Saatchi |
Producer | Fish |
Post-productora | LastDrop |
3D | LastDrop |
Breakdown
300 : 385 | Track Bear Head |
---|
Type | comercial |
---|---|
Title | |
Producer | Películas Pendelton |
Post-productora | Free Your Mind |
3D | El Replicante Jondo |
Type | pelicula |
---|---|
Title | Making Of CAMINO |
Agency | --- |
Producer | Mediapro / Películas Pendelton |
Post-productora | Molinare |
3D | Molinare |
Type | comercial |
---|---|
Title | |
Producer | Puente Aéreo |
Post-productora | El Ranchito |
3D | El Ranchito |
Breakdown
0262 : 0277 | Matchmoving, Animating y Lighting. |
---|---|
0896 : 0930 | Matchmoving y Lighting. |
1034 : 1090 | Matchmoving y Lighting. |
Type | comercial |
---|---|
Title | We love Summer Love |
Producer | El Terrat |
Post-productora | El Exilio |
3D | El Exilio |
Type | tv |
---|---|
Title | We like Summer Jam |
Producer | El Terrat |
Post-productora | El Exilio |
3D | El Exilio |
Type | tv |
---|---|
Title | We like Summer Nap |
Producer | El Terrat |
Post-productora | El Exilio |
3D | El Exilio |
Type | comercial |
---|---|
Title | |
Agency | Contrapunto BBDO |
Producer | Attic Films |
Post-productora | Serena Digital |
3D | Serena Digital |
Type | comercial |
---|---|
Title | |
Agency | Lado C |
Producer | Lee Films |
Post-productora | El Ranchito |
3D | El Ranchito |
Breakdown
0000 : 0000 | Bla Bla Bla |
---|
Type | comercial |
---|---|
Title | Repsol "Gloria" Moto |
Breakdown
02 : 09 | test breakdown |
---|---|
12 : 19 | test breakdown |
Type | comercial |
---|---|
Title | Toyota Yaris |
Agency | Del Campo Saatchi&Saatchi |
Producer | --- |
Post-productora | Elteleclubfx / Shooting Arts |
3D | Elteleclubfx producciones |
Breakdown
00:16 : 00:23 | En éste plano tuve que calcular el movimiento de cámara de manera manual , a la vieja usanza, debido a que la gran mayoría de los softwares de track no eran capaces de proporcionarme una solución correcta debido al gran desenfoque del fondo. Fueron 2 jornadas bastante duras pero quedé bastante satisfecho con el resultado. |
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